| The following details were given during an address by Lynne Murray at an evening service which related to the subject matter of "'Art' in worship of God" | ||||
| The Stained Glass Windows in the Chancel | The Theme is Love and Sacrifice | |||
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These windows are a memorial to all the men of Callander who lost their lives in the 1914-18 war The Rev. R. E. McIntyre conducted the unveiling ceremony and service of dedication of these windows on Sunday 15th May 1921. |
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| The window on the left | ||||
![]() We have, at the top, the symbol of the descent of the Spirit - like a dove, on the infant Jesus in the arms of his mother; the sign of God's action in giving him for the redemption of the world. |
Below, in the same window there is depicted that strange, primitive story of Abraham's offer to sacrifice Isaac, his son, long waited for, to a God to whom Abraham was only dimly beginning to comprehend. |
Abraham came from a people who practised human sacrifice. He had renounced belief in the gods of his fathers and the crude cruelty which worship of these gods entailed. He had come out from among them, at the call and to the worship of the only true Almighty God. But, who was he, he thought, to withhold from that God what his fathers gave to gods of wood and stone? In the story depicted, we see the boy bound; the fire ready; the knife in Abraham's hand; Abraham prepared to bear all the anguish of the deed he was about to commit. But there is a ram, caught in the brambles and a voice that says 'NO - not that Abraham,' and we see in Abraham the first thankful understanding of an Almighty God of Love. Below the portrayal of Mary with the infant Jesus, and above the picture of the Abraham story, we have the words from Luke 2:35 - 'a sword shall pierce thy soul'. These words, spoken by Simeon to Mary are used to apply to all that this window seeks to communicate.
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| The centre window: | ||||
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At the top, the symbol of the Lamb of God - inspired by the tremendous vision, a song of the servant God - brought as a lamb to the slaughter - despised and rejected of men - wounded for our transgressions. The religious authorities of the time in Jerusalem shut their eyes and their ears and their minds to any interpretation of Isaiah's vision that could point to Jesus, the carpenter of Nazareth as the servant and the Son of God. He stands in the centre of the picture, crowned with a crown of thorns, the cup of salvation in his hands - This is my blood, my life, poured forth for you.![]() |
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| The window on the right: | ||||
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The central figure is John, the writer of the book of Revelation. He is the man who was given the vision. He wrote the words 'And I saw the Holy City, the new Jerusalem coming down out of heaven from God'. In the vision he was told to write, and in the picture the quill is in his hand and the books represent his letters to the churches.
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It is below, the final picture - the Transfiguration,
which seems to gather together and sum up the whole message of the window.
It is significant that the figure of Moses and Elijah kneel at the feet
of Jesus; Jesus who came to fulfil and complete all that the law of Moses
failed to do and all that the prophets had seen through a glass darkly.
The disciples, Peter and James and John heard the voice - 'This is my beloved
Son in whom I am well pleased; hear ye him'![]() |
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'I know that my redeemer liveth'
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